The experience of seeing Daniel Wallace’s Ghost Vibes at Jill Campioli’s new garage exhibition space can’t be separated from its context. With the pulsing beat of the largest Native American drum I’ve ever seen ringing in my ears, I head down a dark driveway toward the bright white light at the end. The movement down the driveway provides a clearing of mind and sense that culminates in first view of a pure, minimalist installation. In a small garage with un...