culture choice

Two Victorian Thrillers

These mid-summer musicals have a decidedly Dickensian twist.

By Anne Adams August 11, 2011

Broadway Rose’s Ripper imbues the tale of the London serial killer with song.


Broadway Rose’s Ripper imbues the tale of the London serial killer with song.

Who wafted the smelling salts? Who loosened the corset strings? Whatever inspired this ubiquitous and undeniable Victorian revival? It seems like everywhere you look lately, dames and dandies are flouncing around in petticoats and top hats. But while circus performers, steam punks, pirates, and vampires all stake a claim on the style, its most loyal proponents are theater folk, who have always worn hoopskirts and waistcoats like the Dickens—fickle fashion be damned. This year, Portland thespians can’t even wait ‘til Christmas to bust out their bodices; and hence, tonight and throughout August, two new turn-o’-century-style musicals vie for your fancy:


Coho’s Madder Music, Stronger Wine gets naughty with Victorian porn.

Coho Theater’s Madder Music, Stronger Wine explores the coquettishly tawdry world of Victorian porn (Heaven forbid, a flash of ankle!) with Gilbert and Sullivan–style singing, bold orations, and slashes of rapier wit. This haughty, naughty “musical airing of the dirtiest literary linens" will do its best to bring a blush and a gasp to fair faces.

Broadway Rose Theater’s Ripper is a world-premiere musical about Jack The Ripper (move over, Sweeney Todd) which thickens the plot with the detective who’s hunting the madman, and a magician who saws women in half for pretend—but soon finds himself a red-handed red herring.

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